Monday, March 24, 2014

Review of Sabor - The Flavour Of Dance.











SABOR, the much talked about event that was offered 10 reasons to be a part of. Of course the most important reason to be there but was not mentioned.  It was implicit maybe, to savour an hour of experiencing the ultimate form of self expression. A movement of flexibility, synchronicity, expressions in patterns and moves that visually engulfs the primitive brain to such an extent that recognition of it is certainly automatic and universal.

The start, though beset with minor technical difficulties of a stuck Windows Media Player set out in an eye-catching manner in b-boy moves and fantastic splits. The introductions to the 
dance and dancers allowed audience to learn about what they were seeing and who was performing. A variety of salsa moves entertained us with a dash of humour, puppet doll moves and freezes, that laid forth a very believable scene.  An insight to varieties of dances were given, dance battles were fought, solo performances given, wonderfully choreographed routines held their charm and the stage was set on fire galore by the talented dancers. In my opinion, the girls were extremely sassy and stole the show.  The split walk off by one of the 
girls deserves a special mention. But the guys were not too far behind, show casing their technical ability and strength in lifts and turns, catches and moves.  The carousel or merry-go-round was well executed and was a visual treat.  The dance and drummer routine was refreshing and added flavour to the dance show. 

There were definitely many moments of high power-packed performance, but the flaws were glaringly visible too.  With so many good things that were seen, minor fumbles stood out, not only in the last line and edges, but in the center stage as well.  With an hour given, a inter-woven story in dance to engage the audience would have 
led to an enriching experience. It turned out to be a sampler of various dances instead. The lines and  patterns in group dances sometimes showed loss of synchronization.  Props add variety to the stage but is also makes it a difficult item to manoeuvre.  I cringed when the props were mishandled as nerves caught up with enthusiasm, and it was - like stopping a hiccup midway.  With such a large stage and so many dancers, it did feel that stage was under-utilized and the dynamic movement with interchanging patterns was missing. The dance battle sequence was all too friendly with a predictable end.    

Before we get too critical, we need to dwell on one major fact.  There was only one professional dancer, with remaining being the passionate, hardworking junta with regular jobs. All the practice for the event happened either in ungodly hours of early morning or late evenings with life occupying the remaining time.  That determination in itself calls for a great applause. And being on stage is a nerve-wracking alternate universe compared to the rehearsals. And all that hardwork undoubtedly made the evening an interesting and entertaining experience!

And anyone can critique, even the guy who has just watched many seasons of dance shows but doesn't know even one dance step. But isn't the wow factor of a flawless performance, that gives goosebumps of trying to capture the complexity of what we see, knowing how many things that could have gone wrong but didn't as everything was the right place at the right time, make us pinch ourselves in disbelief? Isn't that the common ground between the dancer and the audience? Isn't a larger than life performance, where the dance routines
get a life of the own, with dancers being just the cogs, what everyone aspires to be a part of? This group definitely has the potential to step on that sacred ground that blurs the magic line between reality and illusion.   

I know this because I was at the edge of my seat during the whole performance.  

Take a bow, dancers!  
Take a bow, Richard Tharoor!!
Take a bow, Sabor!!!

Wednesday, April 6, 2011

Tread Softly

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

- W.B. Yeats

Tuesday, October 12, 2010

The Tiger

The Tiger


Tiger Tiger. burning bright,
In the forests of the night;
What immortal hand or eye.
Could frame thy fearful symmetry?

In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?

What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?

When the stars threw down their spears
And watered heaven with their tears:
Did he smile His work to see?
Did he who made the lamb make thee?

Tiger Tiger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?


William Blake

Thursday, June 3, 2010

Bray to Lord Donkey - An Ode


This is a dedication mural created by one of the most fervent followers in contemporary modern free style "kick" art.

The great unknown donkey lived during 1 A.D. which showed light through the period of great famine. Sadly, the hungry people ate the donkey to live through but gave it a title of Lord and wrote a book about its great teachings and exploits. Chief among them is the poem it brayed, in the darkest of times, bringing hope to people of Muleville. Much of it is lost in translation as it was written in ancient BrayHew but it would have sounded something like this.

~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ *
Eat while you can
To the brim
And grow fat

Fast when you can't
To be trim
Then eat a rat

Observe every June
And long
You may live

Else you too
Shall become Donkey
And kicks you shall give
~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ *

Tuesday, April 6, 2010

Priceless

Price of planning : $ xx
Price of travel : $ yy

Sitting below a flowering tree, reciting your own poem about it: Priceless!